著作权制度应对数字文化生产:从赋权原理到规则设计

    Copyright System Addressing Digital Cultural Production: From the Principle of Configuration Rights to Rules Design

    • 摘要: 数字文化生产的出现使得传统著作权制度面临保护范围困境、权利归属困境、激励功能困境。著作权赋权以文化市场的形成为背景,目的在于促进文化累积性创新,效果在于保护权利人的竞争优势,而非直接为权利人提供经济回报。面对数字文化生产带来的种种挑战,应当承认用户的智力投入符合累积性创新的本质要求,将具备可识别差异与借鉴价值的人工智能生成物纳入作品范畴,并承认用户的作者身份。生成结果的随机性并非否定用户取得著作权的理由。对于数字文化生产过程的利益失衡现象,则应当配置额外义务以限制数字平台的私权力,同时以庇古税为理论基础,建立作品模型训练补偿金制度以填补著作权人遭受的潜在损害,最终维护文化累积性创新过程的可持续性。

       

      Abstract: The emergence of digital culture production has posed challenges to the traditional copyright system, including difficulties in defining the protection scope, determining rights ownership, and fulfilling the incentive function. Copyright empowerment is based on the formation of the cultural market, with the aim of promoting cultural cumulative innovation and enhancing the competitive advantage of rights holders, rather than directly providing economic incentives to them. Based on this, in the face of various challenges brought by digital culture production, it should be recognized that the intellectual contributions of users align with the essential requirements of cumulative innovation. User-generated content that is identifiably different and of reference value should be included within the scope of copyrightable works, and the authorship of users should be acknowledged. Besides, the randomness of artificial intelligence technology is not a reason to deny users the copyright. Additionally, to address the imbalance of interests in the digital cultural production process, the private power of digital platforms should be restricted by allocating additional obligations, while a Pigouvian tax-based compensation system of work model training should be established to compensate for the potential harms to rights holders, ultimately ensuring the sustainability of the cumulative cultural innovation process.

       

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